Kwamé - Lemme Git (All Owt) - The Industry Cosign

Kwamé – Lemme Git (All Owt)

By bigced 4 months ago

In the fall of 2025, KWAME’ returned to the forefront of the music industry, sending true hip-hop heads into a frenzy with the release of his anticipated album, “THE DIFFERENT KIDS”

In the fall of 2025, Multi award-winning platinum artist, producer and Mr. Polka-dot himself, KWAME’, returned to the forefront of the music industry, sending true hip-hop heads into a frenzy with the release of his anticipated album, “THE DIFFERENT KIDS.” The 15-track project is a powerful, high-energy, and layered self-produced project that showcases several facets of the multi-hyphenate’s artistic personality. “The album title explains how I always felt as a person,” he explains. “I didn’t necessarily align with mainstream life. I’ve always felt different. Putting the Kids part of the title as plural, it’s a double thing. It speaks to the people who used to get into my music. I would refer to them as The Different Kids.”

LEMME GIT (ALL OWT) was written and produced by KWAME’ and the animated visuals were directed by Tony Reams. The song is an upbeat bop laced with a cultural message. “It’s about the want for quality black-culture and questioning whether or not we are all out of it. Have we reached our limit?” asks Kwame’. The Video showcases Kwamé as four versions of himself playfully and stylishly addressing the underlined serious tone of the song in typical “Kwamé fashion.“

Throughout The Different Kids, Kwamé blends witty braggadocio and captivating storytelling with precise, dexterous flows. He also weaves social commentary into his rewind-worthy rhymes. The intro to “The Kwame Show,” for instance, sounds as if it could be the theme song from a classic television sitcom. The song then flips into a kinetic beat with Kwamé rapping with a controlled poise about everything from his ageless appearance to the evolution of Black family structure.

On “Hello Anybody,” Kwamé wonders if he’s the only one who sees the shortcomings of modern society while also addressing his own contradictions. “Adulthood” takes a realistic look at marriage, about how men and women can drift apart over the years. “I wanted to address things that are important to me, but not make it preachy,” Kwamé says. “That’s the vibe of the whole album. I feel like I drop gems interwoven with the lyrics in different ways.”

Elsewhere, “Ms Mary Mack” showcases Kwamé flowing effortlessly over a spare, bouncy drum-driven beat, while he has guest vocalist Lady Tigra from L’Trimm speak to his community in a tongue-in-cheek manner on “Ole Skool Rapper.” Then, on “KWAME 2 KWAME” he imagines having a conversation with a younger version of himself. It all adds up to The Different Kids, an artistic tour de force from one of hip-hop’s best rapper-producers.