Find out how entertainment attorney Bob Celestin got started in the music business: a first-generation Haitian-American New Yorker whose parents pushed education hard, setting him up to become a pre-med Yale student (1977–81). A chance move-in day meeting with DJs Ron and Kevin (Brothers Unlimited) and a DJ slot at WYBC-FM pulled him into music — where label execs like Sylvia Rhone and Sharon Haywood pitched him records and, crucially, told him “You’re a Yalie — don’t work at a radio station, own it. Lawyers run the music business.” That advice (plus Percy Sutton’s example as WBLS’s lawyer-owner) led him to abandon medicine for Columbia Law School, launching his career as a hip-hop lawyer.
📋 Topics Discussed
- Haitian immigrant family values — emphasis on education, strict parenting
- First-generation American experience
- Yale University (1977–81) — pre-med track, switching paths
- NYC disco & club culture — hustle dancing, music of the era
- College DJ life — Brothers Unlimited, WYBC-FM radio
- Funk music discovery — George Clinton, Funkadelic, broadening musical horizons
- Black radio & the music business — community-driven programming, ad sales
- Industry mentors — Sylvia Rhone, Sharon Haywood pitching records
- WBLS & Frankie Crocker — the biggest station of the era
- Career pivot: medicine → music → law — “lawyers run the music business”
- Columbia Law School — psychology/philosophy as a foundation
How a Pre-Med Yale Student Became a Hip-Hop Legend’s Lawyer
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